Honorable Mention – Year’s Best Fantasy and Horror 2008

Now that I’ve in fact verified it with my own two eyes, I can post about it.

My story, “The Furies”, from the Shimmer Magazine Pirate Issue got an Honorable Mention in the 2008 Year’s Best Fantasy and Horror, edited by Ellen Datlow, Kelly Link and Gavin Grant.

I’m still having a hard time believing it. I didn’t at first.

Yes, this is my sole published story and yes, I seem to be milking it for all it’s worth, but god damn this is encouraging.

If you’re interested, the Pirate Issue of Shimmer Magazine is still available as a free electronic download. It was supposed to be for only one day, but apparently the link still works.

If you’re interested.

Talk like a Pirate Day Shimmer Special Offer!

Beth Wodzinski just contacted me to pass on the word that in honor of Talk Like a Pirate Day, today, September 19 (and only today, Sept. 19), Shimmer is offering the electronic version of their Pirate Issue FREE. Yes, that’s right – for $0. This issue has my first published story, “The Furies” in it.And it’s FREE. Seriously. Just download it. There’s some great stuff in there.

Did I mention it’s free?

Linky: http://www.shimmerzine.com/hidden-page/pirate-issue-2007-electronic-edition/

In the interesting coincidence category

I was just now looking at the Writer’s of the Future blog where they had listed a second round of Honorable Mentions for this past quarter (including one for my friend and Clarion West 2008 classmate, Kristin Janz) when my phone rang. And it was someone from Writer’s of the Future telling me that I was a semi-finalist for this past quarter. Not quite the final round, but apparently I get a written critique out of it.

It’s encouraging, especially on the heels of a couple of rejections. And this was a pre-Clarion West story, so that is also encouraging as well (assuming I’m able to implement what I’ve learned).

Now I’m definitely going to spend the night writing…

Stories and Plot

I’m currently revising a story I wrote just before leaving for Seattle and I realized, with the help of my writing group and their critiques, that it doesn’t have a plot. And that was a helpful realization and I thought of ways I could address this situation and add in a plot and help flesh it out.

But then I remembered being in Seattle and having a conversation with Paul Park and he tasked me to write a story without a plot. And I remember feeling completely lost and uncomfortable when considering it. But at the same time I was intrigued. And I wondered how you could pull it off in a satisfying manner.

I’m not sure the story I’m working on is the one to try. Most of the movement in the piece right now is geographical, and even that is lacking. But I do think that I would love to explore the idea of a plotless story and how to make it work.

If anyone reading this has some examples of stories without plots that work, please list them in the comments.

File under “obvious”

I realized, on looking back, that the stories of mine that have had the best response are stories where the voice came easily to me. I think of it as “clicking” into the voice. Some stories have that from the beginning, others don’t. Last night, the other members of Altered Fluid helped me identify why those stories are more successful, though. There’s a confidence to that kind of writing that is often lacking in other stories. My one published story (so far) was like that. I clicked into the voice and I think that helped carry the story further.

I also realized that of those stories, most of them are told in the first person. I like first person a lot. Some of my favorite novels are first person novels, and Zelazny was one of my heroes. I remember reading, though, some cautions against first person for beginning writers. Which I agree with. It’s a hard thing to do well, I think. I’m not claiming to do so now. But sometimes it’s easier for me to get into the character that way. You can definitely convey more through their narrative style.

Obviously voice is an important aspect to a story, and I know this, but I don’t know that I’ve spent a lot of time up until now focusing on it. In some of my stories, the voice is clear from the start. In the others, though, I wonder what I can do to capture it.

Just thinking out loud…

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